{"id":62871,"date":"2016-07-04T17:14:47","date_gmt":"2016-07-04T16:14:47","guid":{"rendered":"https:\/\/www.mobilefun.co.uk\/blog\/?p=62871"},"modified":"2017-02-09T15:17:09","modified_gmt":"2017-02-09T15:17:09","slug":"audiophile-how-to-get-the-best-sounding-music-on-your-phone","status":"publish","type":"post","link":"https:\/\/www.mobilefun.co.uk\/blog\/2016\/07\/audiophile-how-to-get-the-best-sounding-music-on-your-phone\/","title":{"rendered":"Audiophile: how to get the best sounding music on your phone"},"content":{"rendered":"

\"mobile_phone_audio_gt_37\"<\/p>\n

How do you ensure that your music sounds as good as it possibly can? It sounds like a simple question with a straightforward solution, but there\u2019s a lot more going on behind the scenes than you may realise.<\/strong><\/p>\n

The important thing to remember is that audio quality is a multiplicative, not additive process. Every step \u2014 from the original recording\u2019s mixing and mastering, to the audio file that you play or stream, to your smartphone\u2019s audio hardware, to your headphones \u2014 has an effect on the sound waves that hit your ears. This audio chain is only as strong as its weakest link.<\/p>\n

Therefore, to get great-sounding music, every part of the chain has to be great. We\u2019ll look at all the pieces you can control, in order: the source of your music, whether a downloaded file or a streamed song; the DAC built into your smartphone; and the wired connector or wireless standard you use to get music into your headphones.<\/p>\n

Stored Files & Streaming<\/h2>\n

When it comes to enjoying great sound, it all starts at the source.<\/p>\n

First, let\u2019s talk about playing music that you\u2019ve ripped from CDs or vinyls, downloaded from iTunes or Amazon, or acquired through less legitimate means. Whatever the delivery vector, you\u2019re left with some files that you can copy onto your phone, usually with the\u00a0.MP3 or\u00a0.AAC suffix. These are both examples of lossy audio, meaning the files have been compressed to save space, and some information from the original recording has been lost.<\/p>\n

This isn\u2019t a bad thing; it means you can fit many more songs into your phone\u2019s limited storage space. Done right, it also doesn\u2019t adversely affect the song\u2019s fidelity; you\u2019re left with a much smaller file that\u2019s aurally indistinguishable from the original (source, PDF<\/a>).<\/p>\n

\"photo-1458560871784-56d23406c091\"<\/p>\n

Where MP3 and AAC run into problems is when they are not<\/em> made well. If the bitrate is set too low during the encoding process \u2014 at 128 Kbps or below \u2014 then the differences start to become apparent, particularly if you\u2019re using a good set of headphones.<\/p>\n

Another problem is degradation. Each time an MP3 file is re-encoded and re-compressed, more information is lost and artefacts like crackles and hiss can be introduced<\/a>. If you download an MP3 from Amazon, this isn\u2019t an issue \u2014 they know well enough to make their MP3s from the original source, and deliver that to you untouched. Conversely, if you then burn that MP3 to another CD, lose the original file, rip it back from the CD, re-encode it to AAC\u2026 then you\u2019re going to start to notice flaws that weren\u2019t there on the original version.<\/p>\n

\"photo-1416339306562-f3d12fefd36f\"<\/p>\n

So what\u2019s the solution? One is lossless encoding, a process during which audio files are compressed as much as possible without losing any detail.<\/p>\n

You may remember\u00a0.WAV files from old Windows PCs, which were used in early video games and as system alert noises; these are lossless files. You may also remember that WAV files are also incredibly large; ripping a 10 track album in\u00a0.WAV would take hundreds of megabytes, where MP3 versions would be around 30 or 40 megabytes. That\u2019s lead to the development of more space-efficient file formats, the most popular of which is FLAC. This still provides perfect preservation of audio files, but it\u2019s about half the size of WAV.<\/p>\n

Of course, using FLAC doesn\u2019t ensure that your music will sound amazing \u2014 it just removes one weak link from the chain that starts with the original recording and mastering, and ends with sound hitting your eardrums. Let\u2019s look now at the increasingly popular alternative to stored music: streaming.<\/p>\n

Streaming<\/h3>\n

In the age of the internet, it just doesn\u2019t make sense to restrict yourself to only the music that you\u2019ve manually downloaded to your phone \u2014 almost every piece of music that\u2019s been released by major artists in the past few decades can be found on streaming music services like Spotify, Apple Music or Tidal.<\/p>\n

Like local files, you can stream music at different bitrates and in different formats. For example, Spotify streams in the Ogg Vorbis format<\/a> (an open source alternative to MP3), and offers a choice of 96 kbps (normal quality on mobile), 160 kbps (high quality on mobile, normal quality on desktop) and 320 kbps (extreme quality on mobile, high quality on desktop). The latter option is only available to Spotify Premium subscribers.<\/p>\n

\"3048852-poster-p-1-spotify-discover\"<\/p>\n

As with the Spotify example, higher bitrates are often paywalled. If you want to ensure you\u2019re getting the best possible sound, then you may need to pay for it or switch to a different service.<\/p>\n

If you need the highest quality sound, then lossless streaming is also possible. This is offered by services like Tidal and Deezer, and sometimes described as \u2018high resolution audio\u2019. There\u2019s no universal definition for high resolution audio, but it generally refers to music delivered at a drastically higher bitrate than MP3; e.g. 1411 kbps for CD-quality music.<\/p>\n

These higher bitrates could translate into better-sounding music, but given the difficulties that many listeners experience telling the difference between 320 kbps MP3 and FLAC in double-blind trials, it may largely be a matter of placebo.<\/p>\n

What is inarguable is that you\u2019ll use a lot more data, and for the vast majority of us on limited data contracts that will come as unwelcome news. Streaming services offering lossless or high resolution audio generally cost more than their lossy competitors too, so you\u2019re essentially paying for that audio upgrade twice.<\/p>\n

\"tidal-share.239a2bdc\"<\/p>\n

Still, if you want the best-sounding music possible, then streaming from Tidal or a similar high-resolution audio service is a worthwhile choice. Next, let\u2019s take a look at the next step in the chain: hardware.<\/p>\n

Wired & wireless headphones<\/h2>\n

We\u2019ll discount speakers for now, as that\u2019s a whole \u2018nother can of worms, and instead turn our attention to headphones. There are two camps here: wired and wireless. Wired is still the more popular option, so let\u2019s look at that first.<\/p>\n

3.5mm headphones, DACs & amps<\/h3>\n

When it comes to wired headphones, 3.5mm is the overwhelming favourite. Based on 1\/4″ phone connectors used for telephone switchboards since 1878<\/a>, the venerable 3.5mm was developed around 1964, and has been included in almost every piece of consumer audio equipment since then, including smartphones.<\/p>\n

\"Vivo-Xshot\"<\/p>\n

Every smartphone with a 3.5mm jack has a built-in DAC, a digital to analogue converter that takes the output of the phone\u2019s audio software (e.g. the Linux sound engine ALSA on Android) and converts it into an analogue signal sent via an amplifier to the headphones or speakers you\u2019ve got connected.
\nMany DACs are built by chipset makers like Qualcomm or MediaTek, and are shared amongst many different smartphone models. Others are produced by dedicated audio companies, like Wolfson.<\/p>\n

Each model will have different characteristics \u2014 signal to noise ratio, dynamic range, distortion \u2014 which will affect the quality and character of the sound that comes out of the headphones, in combination with other audio hardware and software running on the phone.<\/p>\n

External DACs<\/h3>\n

It\u2019s also possible to connect higher-quality DACs and headphone amplifiers externally. For example, you can buy a Bang & Olufsen branded DAC module<\/a> for the LG G5<\/a>, which provides its own 3.5mm port and higher quality hardware.<\/p>\n

\"dac-ha300-and-iphone\"<\/p>\n

You can also connect some DACs using the micro USB, USB-C or Lightning port on your smartphone. They\u2019re not as convenient as an internal solution, but they offer more space for expensive audio circuitry and controls.<\/p>\n

As high-end smartphones have become more similar, audio is one way that a smartphone can stand out. That\u2019s lead to dedicated audiophile smartphones like the Marshall London, and special efforts being made for flagship phones like the HTC 10<\/a> and LG V10<\/a>. Generally, these smartphones will include custom software, more powerful headphone amplifiers, improved speakers and a more expensive DAC than you\u2019d see on a run-of-the-mill smartphone.<\/p>\n

\"marshall-london-phone\"<\/p>\n

However they\u2019re implemented, these audio improvements will allow you to better drive high-end headphones<\/a> and should strengthen another weak link in the audio chain.<\/p>\n

Lightning and USB headphones<\/h3>\n

While 3.5mm is still the audio connector of choice for almost all smartphones sold today, some Android manufacturers are moving to headphones connected by the popular USB-C standard. Apple is also rumoured to be removing the 3.5mm jack<\/a> and moving to Lightning, their own wired connector. Both Lightning and USB-C headphones share common features, so we\u2019ll tackle them together.<\/p>\n

The primary difference here is that Lightning and USB-C are both digital connections, so smartphones don\u2019t need to send convert digital audio to analogue before sending it to the headphones. Instead, the headphones themselves<\/a> handle this task, with their own built in DAC. The DACs they use can be bigger and more expensive, thus allowing for (but not guaranteeing) better-quality sound.<\/p>\n

\"JBL-Reflect-Aware-Headphones\"<\/p>\n

There\u2019s also the possibility that cheap headphones could include cheap DACs, which could result in worse sound than if a smartphone\u2019s own DAC was used. This isn\u2019t too likely, but it does underscore the importance of choosing a good set of Lightning or USB-C headphones<\/a>.<\/p>\n

For owners of smartphones without 3.5mm ports, adapters could also be used to connect traditional 3.5mm headphones to Lightning or USB-C. We\u2019ve seen a few of these adapters already, and these could also allow for better-quality sound, if the DACs used are of a high quality, and they\u2019re paired with a good set of headphones.<\/p>\n

Bluetooth headphones<\/h3>\n

Of course, part of the appeal of smartphones is that so much can be accomplished without wires. Bluetooth headphones are the most popular wireless option, and they\u2019re worth examining in depth.
\nWhen two Bluetooth devices pair, e.g. a smartphone and a set of Bluetooth headphones, they negotiate which audio codec to use according to the A2DP standard<\/a>.<\/p>\n

By default, Bluetooth uses a compression standard called SBC, or Low Complexity Sub Band Coding. Music is compressed using SBC, transmitted, then decoded by your Bluetooth headphones. There are multiple levels of SBC which use different bitrates, and the highest level that both support is used.<\/p>\n

\"what-is-aptx\"<\/p>\n

This compression is performed in addition to whatever compression you\u2019re using for the music itself, e.g. MP3, so you may find that audio sent via Bluetooth sounds worse than over a wired connection.<\/p>\n

The answer to this is aptX<\/a>, which uses a different compression algorithm than SBC. The creators of the standard claim that it offers better quality streaming, and anecdotal evidence<\/a> suggests that this is (at least perceived to be) true. To use aptX, both Bluetooth devices need to support the standard, and some smartphones do not (including the iPhone).<\/p>\n

A2DP also supports streaming using MP3 and AAC, amongst other codecs, again assuming that both sides support this. In practice, AAC (and particularly) MP3 seem to be used infrequently by Bluetooth devices, with SBC and aptX being the most common standards in use.<\/p>\n

If this sounds confusing, it is. There\u2019s little transparency here; it\u2019s hard to find out what codec is being used for any given connection. This is made doubly difficult by the fact that the codec being used may change, even between the same two devices, based on signal strength and other conditions.<\/p>\n

Generally, the best advice we can give is you should ensure that your phone and your headphones support the Bluetooth codec you want to use, and from there just hope for the best. Regardless of what codec is used, a wired option like 3.5mm, Lightning or USB-C will offer better results if you\u2019re looking for audiophile-quality sound — even if wireless earbuds<\/a>\u00a0offer tantalising convenience.<\/p>\n

Wrapping up<\/h2>\n

So \u2014 that\u2019s it. Audio quality is a tricky subject, but I hope we\u2019ve shed some light on what goes on behind the scenes when you\u2019re listening to music on your smartphone with your headphones. Remember that the audio chain is only as strong as its weakest link, and invest your money (and time) accordingly.<\/p>\n

If you have a question or there\u2019s something more we can cover, please write in the comments below. Thanks for your time, particularly if you read the whole thing, and we\u2019ll catch you later!<\/p>\n\n\n

\n
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